THE VETERINARIAN

THE VETERINARIAN

Year 2026

     

LIMITED EDITIONS

100 Units 17 x 13 inch

     

€125 including VAT and shipping*

LIMITED EDITIONS:

In "The Vet," Gonza faces the challenge of loving creatures who, generally speaking, try to bite him the moment he takes out his thermometer. Being a veterinarian is a risky business, one that wasn't mentioned in university brochures. You go into it out of love for animals, but you end up becoming an expert at dodging scratches and removing hair from impossible places. It's that mix of tenderness and chaos where a patient thanks you for saving them with licks or barks while their human tells you their life story.

Behind the examination table lies a knowledge that borders on the detective-like. It's not just medicine; it's interpreting a look or a change in posture in someone who can't explain what's wrong. The veterinarian carries a biological encyclopedia in their head while dealing with the owners' stress, demonstrating that their expertise isn't just about the degree on the wall, but about the ability to keep a steady hand when the patient decides that a hand is a chew toy.

At the end of the day, beneath that uniform that smells of disinfectant and hard work, lives a human being who also longs for Friday (as long as there's no shift). I hope Gonza creates a masterpiece with this Dalmatian and that you hang it on your wall so it doesn't leave any customer indifferent.

    

TECHNICAL INFORMATION AND PUBLISHING COMMITMENT

        

If you have decided to purchase a unit of The veterinarian, you've made an excellent choice. You're not investing in just another photograph: i don't sell catalog prints. While a large print shop might produce 100,000 copies of a blank image for any waiting room, I'm limiting this essay to a select few. It's the difference between decorating a wall and imbuing it with an identity shared by only a small group of people.

Why such a small edition?

  • Workshop Warranty: Limiting the series allows me to personally certify that every cotton fiber and every drop of ink is exactly where it should be.
  • Finitude: Just as an honest conversation can't have a thousand participants at once without getting lost, these pieces are limited in size so that the dialogue between the paper and the viewer remains intimate. We don't want to trivialize ideas that have taken years of study as if they were just a merchandising product.

Display standard

  • Paper: I only use the best exhibition photographs papers: Canson Baryta 310 g/m² and similar.
  • Authenticity: Each work includes certificate of authenticity signed by hand and a system of double void hologram to ensure the integrity of the copy.

File note: Apart from the 100 limited editions, there are 2 AP and 3 large format museum edition copies (Giclée process).

Printer's Note: I apply standard museum margins (10% on the sides/top and 20% on the bottom). The artwork is signed on the right margin, but if you prefer it signed on the back or without the signature, I can adjust that. What matters is the idea.

Shipping: I'm deliberately overly cautious with the protection; it personally pains me to see a piece arrive damaged. Inside the package, you'll find the artwork wrapped in acid-free tissue paper, a certificate of authenticity, care instructions, cotton gloves, and a few other surprises. I also use recycled wood and cardboard with as little plastic as possible to make the packaging environmentally friendly.

* Shipping included within mainland Spain and the Balearic Islands. For other areas, shipping costs are calculated automatically before payment.

       

       

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